Therefore, often contrasted with modernity in everyday language and also in the academic discourse of a wide variety of disciplines. Each era has its modern side and a tradition, bequeathed from the past and collected to some extent in the present. In interaction with literature, the plural “traditions” to highlight the plurality of voices that resonate in every author, in every work (translated, imported, traveled voices). The concept of tradition evokes what comes to us from a past, near or remote, but it is not an absolute, inactive past; unlike its “patrimony” congener, it alludes rather to an active process of transmission, to possibly operative

Therefore, acting contents, with reverberations in the present. The subject Literature and tradition of the Master of Humanities offers an academic space to deal with these and other issues in an eminently practical way; that is, from reading and commenting on the great literary texts of the past. The course revolves around the European literary tradition based on a series of works from the Western canon. The framework is that of literary relations, and in particular the relations of rewriting and counter-writing that occur between various texts and artistic manifestations of tradition. In this edition of the subject, we will analyze the intertextual and interartistic relations of Homer (the Odyssey ) and

He Also Often Confronts

Therefore, Joyce ( Ulysses ); Dante ( Hell ) and Doré ‘s modern and contemporary illustrations in Barceló ; Shakespeare ( Macbeth ) and film adaptations of Orson Welles and Akira Kurosawa to UK Phone Number List Justin Kurzel , among others; and Defoe ( Robinson Crusoe ) and the co-writing of this novel by Coetzee ( Foe ). Reading and discussing these fundamental works, and their relationships in other arts – such as painting or film – will allow a broad reflection on different genres and literary modalities (the epic, the sacred poem, the tragedy). , the novel) and on a question of such


Therefore, importance as the literary constitution of a given image of Europe and the relationship of European culture with other cultures. Neus Rotger , a consultant in Literature and Tradition , holds a PhD in Comparative Literature from the Autonomous University of Barcelona. She has been a researcher at the Center for the Study of the Novel (Stanford University), the Center de Recherche de Littérature Comparée (Université Sorbonne-Paris IV) and  (UC Berkeley). She has been a professor of Literary Theory and Comparative Literature at the UAB and since 2007 has been a professor of Arts and Humanities Studies at the UOC, where she coordinates literature subjects.

The Department Of Rhetoric

Acceleration. The change of temporal structures in Modernity.] And finally: Collage identities (or cake). Identity is also affected in liquid life. In fact, the backbone of who we are (and what we call individual identity) is made up of the habits that shape us and the roles we adopt. (As an incorporation of the social-institutional within us). It is not easy to constantly fit all the ” kits ” of identity that consumer society offers us, or to resist. The temptation of new principles. Urban Revolution and the Urban Siege in. The Raval Neighborhood of Barcelona. Barcelona: Editorial Virus.

Therefore, the action of a monk in a distant town in the small duchy of Saxony-Wittenberg. (In present-day Germany) began a process that would historically mark the western world of the last five. Centuries: the Protestant Reformation. The mere doubt about the validity of the indulgences triggered the most important rupture of Western Christendom, to the point. Of transcending and merging with the other conforming spheres of that time. Undoubtedly, the Protestant Reformation and the consequent confrontation. With the faithful in the Roman church spurred the formation of the Modern

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