There are very few magazines with aesthetic and editorial personality. Most are uniformly light with spikes of seriousness. Captions take the place of texts. The photos tell the story so as not to burden the texts. Fonts become decorative elements and the reason is called pilaf. Through this lightness serious issues are also touched upon. The lightness of the approach compensates for the weight of the subject and both serve the seriousness. The aim But there is also an audience that would like ads to stand out aesthetically from articles for texts to be more important than text captions. The format to respond to the nature of the topics for titles not to be aimed at catching hurried readers. The light to remain honorably light the serious should not be afraid to appear serious dealing with people should not be gossip interviews should be. Such an audience exists and I believe it will not despise the publisher who has the courage to renounce lightserious confusion.

Threat and makes the decision the oriented product

The pampered and spoiled child of our time is information. A word clothed in priestly garb. A word that cannot be disputed and that everyone promises to respect and serve. They even combine it with the formation of free citizens with independent judgment Photo Background Removing and opinion. The abundance of newspapers for years gave us the illusion of information but also left us with a margin. Doubt perhaps because the obvious dependence of the forms made us suspicious. After all since no newspaper would have the courage to simply describe the facts. Wished to believe or what he has previously decided not to believe. We thus had a reader certainly not informed but at least sometimes suspicious. In fact the lack of this trust pushed him to give more importance. The signed analyses political artistic or otherwise where at least he knew that he was following a of truth. But the era of the empire of the image has arrived.

Photo Background Removing

The reader reads either what he has previously

First with photography and then with the infinitely more powerful television. The completely impersonal television screen became the pulpit of the priest who directed the congregation. Now there can be no doubt. The fact is before our eyes. We are informed. After all even the most Bold Data austere guidance uses images with a pretense of objectivity. The fraud of images does not bear the surface and the confession. It only works underground. But the recent proliferation of television stations together with the flood of photographic information through print is again beginning to work its magic. It is time to move from the doubt about information to the much more substantial doubt about our judgment. And the time has come for us to demand that others also understand that education cultivation the arts are what create free people that is people. W with free judgment and not the anyway impossible information.Vocational orientation attempts to judge today what will be good for us tomorrow.

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